Laibach - Wir Sind Das Volk
04.Ich bin der Engel der Verzweiflung
05.Flieger, grüß mir die Sonne
06.Ordnung und Disziplin (Müller versus Brecht)
07.Lessing oder Das Ende der Aufklärung
09.Im Herbst 197.. starb… (instrumental)
10.Ich will ein Deutscher sein
11.Ich war die Wunde
12. Das Lied vom einsamen Mädchen (live)
13.Im Herbst 197.. starb… (live)
14.Wir sind das Volk nur durch die Liebe (Abschlussrede von Peter Mlakar, live)
The album collates music from the acclaimed theatrical production Wir sind das Volk (“We are the People”), which premiered at Hebbel am Ufer (HAU) theatre in Berlin on 8 Feb 2020. Two more shows were performed, before the production was halted due to the pandemic. In 2021 Laibach opened the Klagenfurt Festival with a Slovenian version of the same production and performed two more sold out shows in Ljubljana’s Kino Šiška. In March this year performances will resume in Berlin’s HAU, with more confirmed for Zagreb, Ljubljana, Hamburg, Maribor and in the Cultural Capital of Europe, Novi Sad – full details below.
Wir sind das Volk is based upon the writings of Heiner Müller (1929-1995), one of the most significant German-speaking playwrights since Brecht. Laibach’s own association with the theatre began in 1984 when they composed music for Heiner Müller’s Quartet, a play that was presented at the Slovenian National Theatre in Ljubljana. The following year they met Müller in Berlin, who suggested that they collaborate. Müller went on to use Laibach’s music in a production but the collaboration never happened, until the head of the International Heiner Müller Society, Anja Quickert, proposed a posthumous project based on Müller’s texts.
Laibach explain, “We followed Heiner Müller’s own strategy of cutting and rearranging the material, taking his texts and putting it into another context, rebooting it with music, in order to drag the audience into it or alienate them from it. Music unlocks the emotions and is therefore a great manipulative tool and a powerful propagandistic weapon. And that’s why a combination of Heiner Müller, who saw theatre as a political institution, and Laibach, can be nothing else but a musical.”
The album’s artwork and inner sleeve is Epiphany II: Adoration of the Shepherds (1998, collection of Fine Arts Museums of San Francisco) and Epiphany I: Adoration of the Magi (1996, Denver Art Museum collection) by the renowned Austrian-Irish artist, Gottfried Helnwein. Taken from his Epiphany series, some of his most recognisable works, the painting reflects on two of the central themes of his work: childhood and National Socialism.
Laibach have a knack for precision timing and Wir sind das Volk is no exception. The term “volk” (nation, or people) has undergone profound changes since 1989’s chants of “we are the people” at the time of the fall of the Berlin wall and throughout Europe, America and the word has, in recent years, become a tool of nationalist and racist exclusion.
Quickert goes on to say, “This project finally brings together what should have happened a long time ago: Laibach and the German playwright and poet Heiner Müller together. The myth of the nation cannot be buried as long as ghosts undermine its foundation. “Dialogue with the dead must not be interrupted until it is revealed which part of the future was buried with them.” Welcome to the abyss of the nation!”
Laibach formed in the then-Yugoslavian industrial town Trbovlje. Founded in the year that the country’s founding father Tito died, the band rose to fame to become one of the most internationally acclaimed bands to have come out of the former Communist countries of Eastern and Central Europe, recently becoming one of the first bands to perform in North Korea. In 2019 they released a Laibachian interpretation of The Sound of Music, conceived during their trip to North Korea and in 2020 celebrated four decades with Laibach Revisited.
Available in deluxe CD and double vinyl formats, including extensive sleeve notes and imagery.